RON WOOD, Now Look PROMO USA Excellent- LP FREE SHIPPING
$
30
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Description
Ron Wood - Now Look Label: Warner Bros. Records – BS 2872 Format: Vinyl, LP, Album, Promo, Santa Maria Pressing Country: US Released: 1975 Genre: Rock Style: A1 I Got Lost When I Found You Written-By – Bobby Womack, Ron Wood 4:27 A2 Big Bayou Written-By – Gib Guilbeau 2:41 A3 Breathe On Me Written-By – Ron Wood 6:34 A4 If You Don't Want My Love Written-By – Bobby Womack, Gordon D. WItty* 4:17 A5 I Can Say She's Allright Written-By – Bobby Womack, Ron Wood 6:22 B1 Caribbean Boogie Written-By – Ron Wood 2:25 B2 Now Look Written-By – Ron Wood 3:50 B3 Sweet Baby Mine Written-By – Bobby Womack, Jim Ford 3:27 B4 I Can't Stand The Rain Written-By – Peebles*, Bernard Miller, Donald Bryant* 3:13 B5 It's Unholy Written-By – Ron Wood 6:29 B6 I Got A Feeling Written-By – Bobby Womack, Ian McLagan, Jean Roussell* 3:21 Phonographic Copyright ℗ – Warner Bros. Records Inc. Published By – WB Music Corp. Published By – Third Story Music, Inc. Published By – Unart Published By – Tracebob Published By – Jec Publishing Mastered At – Record Plant, N.Y.C. Lacquer Cut At – Master Cutting Room Pressed By – Columbia Records Pressing Plant, Santa Maria Acoustic Guitar – Ronnie Wood* (tracks: A3) Artwork [Tinting] – Morris Tate* Backing Vocals – Bobby Womack (tracks: B3), Ronnie Wood* (tracks: B3), Willie Weeks (tracks: B3) Bass – Willie Weeks Clavinet – Jean Roussell* (tracks: A4, B5) Design [Cover] – AGI (4), Mike Dowd*, Woody* Drums – Andy Newmark, Kenny Jones (tracks: B1, B2) Electric Piano – Ian McLagan (tracks: B6), Jean Roussell* (tracks: A1, B3, B5) Engineer – Keith Harwood Guitar – Bobby Womack (tracks: A1, A2, A4, B3, B6), Keith Richards (tracks: A5, B4), Ronnie Wood*, Willie Weeks (tracks: B3) Harmony Vocals – Keith Richards (tracks: A3) Organ – Ian McLagan (tracks: A3 to A5, B3 to B6) Pedal Steel Guitar – Ronnie Wood* (tracks: A3) Percussion – Andy Newmark (tracks: A2) Photography By [Back Cover] – Laurens Van Houten, Dick Polack* Photography By [Cover] – Chevy Kevorkian Piano – Ian McLagan (tracks: A1, A2, A4, B1 to B4) Producer – Womack*, McLagan*, Wood* Slide Guitar – Mick Taylor (tracks: B5), Ronnie Wood* (tracks: A2, A4, B6) Synthesizer – Jean Roussell* (tracks: A2) Vocals – Bobby Womack (tracks: A4, A5), Ronnie Wood* Labels on both sides: PROMOTION NOT FOR SALE Sticker on cover: PROMOTION COPY NOT FOR SALE
USA PROMO PRESSING VINYL ALBUM WITH ORIGINAL INNER SLEEVE.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. PROMO STICKER. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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