URIAH HEEP SALISBURY ORIG '71 UK BRONZE LP w/DIFFERENT COVER & TRACKS FROM US LP
  $   27

 


$ 27 Sold For
Feb 24, 2013 Sold Date
Feb 14, 2013 Start Date
$   10 Start price
9   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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·       URIAH HEEP – SALISBURY (URIAH HEEP’S SECOND ALBUM) – ORIGINAL BRITISH PRESSING - ORIGINAL 1971 BRONZE STEREO LP ILPS-9152

 

·       ORIGINAL U.K. PRESSING

 

·       THIS IS THE BRITISH VERSION OF THE ALBUM WHICH IS DIFFERENT – IN BOTH ARTWORK AND SONG SELECTION -  FROM THE AMERICAN COUNTERPART.

 

·       ORIGINAL BEIGE BRONZE LABEL WITH 'HUMAN EVOLUTION' LOGO AROUND THE SPINDLE HOLE

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL UNIPAC-STYLE COVER (ONE SIDE OF THE GATEFOLD OPENS, THE OTHER ONE IS A SINGLE-PLY CARDBOARD)

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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On their second album, Uriah Heep jettisons the experiments that weighed down Very 'Eavy Very 'Umble and works toward perfecting their blend of heavy metal power and prog rock complexity. Salisbury tips the band's style in the prog direction, containing one side of songs and one side dominated by a lengthy and ornate epic-length composition. Highlights on the song-oriented side include "Bird of Prey," a soaring rocker that blends furious, power chord-fuelled verses with spacy, keyboard-drenched instrumental breaks, and "Lady in Black," a stylishly arranged tune that builds from a folk-styled acoustic tune into a throbbing rocker full of ghostly harmonies and crunching guitar riffs. The big surprise on this side is "The Park," a ballad-style song built on a light blend of acoustic guitars and ethereal keyboards. It has a gentle, appealingly psychedelic feel that is topped off by David Byron's falsetto vocal and some soaring harmonies from Byron and Ken Hensley. However, Salisbury is undone by its title track, the 16-minute track that dominates the album's entire second side: it feels more like a lengthy jam session instead of a prog epic with distinctive and carefully crafted sections. Another problem is that the overly busy brass and woodwind arrangements that have been grafted onto it intrude on the group's sound instead of fleshing it out. All in all, Salisbury is too unfocused for the casual listener but offers enough solid songs for the Uriah Heep completist. Collector's note: The American version of this album had different cover art (the tank on the British edition was replaced by a gruesome image of man tearing out of his own skin) and replaced "Bird of Prey" with a bluesy B-side entitled "Simon the Bullet Freak."

 

 (EXCERPT FROM AN ONLINE REVIEW BY DONALD GUARISCO, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

For additional historical or discography information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·                               CONDITION:

 

·                               RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

 

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

 

THE COVER IS ABOUT VERY GOOD+(+)

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has some visible fraying/tattering on the  spine and the bottom seam

 

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 4 (back side)

 

-         Cover has a small peel-off mark, probably from the careless removal of the price sticker, camouflaged with a like-colored (black) marker (less than ¼ square inch in size).

 

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  Yellowing is also noted on the INSIDE gatefold

 

-         Cover has a few tiny wrinkles along the spine

 

-         Minor shelf wear noted on the top seam (nothing significant)

 

-         Cover has all four corners slightly worn / dinged (nothing significant)

 

-         The cover has a few tiny scratch marks on the front side

 

-         Cover has a light "wrinkle" (crease)  in one of the corners.

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams  (yet)

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No stamps

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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