VELVET UNDERGROUND WHITE LIGHT RARE ORIG '68 VERVE LP ANDY WARHOL SKULL COVER NM

$

425

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       VELVET UNDERGROUND - WHITE LIGHT/WHITE HEAT - ORIGINAL 1968 VERVE STEREO LP V6-5046

·       ORIGINAL U.S. PRESSING

·       EAST COAST PRESSING

·       *** Original "skull and bones" cover which appears only on first versions of this album and was deleted on all subsequent pressings ***

·       NOTE: some controversy exists as to whether the original, first pressings of this album did or did not have the  Andy Warhol artwork credit on the back cover. One of the world’s best and most reputable Velvet Underground web sites claims that it DID NOT and that it was added later, although we have grave misgivings about the accuracy of this information. We firmly believe that both “skull” versions – with and without Warhol credit – were the original and true first pressings, and that this was merely a pressing plant variation – in other words, we suspect that one version was the East Coast pressing, while the other was the West Coast pressing.THIS COPY DOES  HAVE ANDY WARHOL CREDIT ON THE BACK COVER

·       CHEAP IMMITATIONS AND COUNTERFEIT / BOOTLEG PRESSINGS OF THIS ALBUMS EXIST. WE ABSOLUTELY, CATEGORICALLY GUARANTEE THAT THIS IS NOT  ONE OF THEM

·       ORIGINAL BLUE VERVE LABEL WITH SILVER PRINT AND  LARGE T-SHAPED VERVE LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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The world of pop music was hardly ready for The Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety. Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive. The album opens with an open and enthusiastic endorsement of amphetamines (startling even from this group of noted drug enthusiasts), and side one continues with an amusing shaggy-dog story set to a slab of lurching mutant R&B ("The Gift"), a perverse variation on an old folktale ("Lady Godiva's Operation"), and the album's sole "pretty" song, the mildly disquieting "Here She Comes Now." While side one was a good bit darker in tone than the Velvets' first album, side two was where they truly threw down the gauntlet with the manic, free-jazz implosion of "I Heard Her Call My Name" (featuring Reed's guitar work at its most gloriously fractured), and the epic noise jam "Sister Ray," 17 minutes of sex, drugs, violence, and other non-wholesome fun with the loudest rock group in the history of Western Civilization as the house band. White Light/White Heat is easily the least accessible of The Velvet Underground's studio albums, but anyone wanting to hear their guitar-mauling tribal frenzy straight with no chaser will love it, and those benighted souls who think of the Velvets as some sort of folk-rock band are advised to crank their stereo up to ten and give side two a spin.

***

This is the very first pressing of one of the most aggressive, radical and ambitious avant-garde albums in the history of Rock. The creative tension between Lou Reed and John Cale is tangible and thick as mud. Truly one-of-a-kind Rock album. Song listing: White light / White heat - The Gift - Lady Godiva's Operation - Here she comes now - I heard her calling my name - Sister Ray

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

A NOTE ON ANDY WARHOL ALBUM COVERS

Warhol did album covers throughout his entire life - the most well-known being the 1967 Velvet Underground album featuring a banana and the 1971 cover for The Rolling Stones' album Sticky Fingers, co-designed with Craig Braun, which featured an image of a man's crotch in a pair of jeans with a functioning zipper. The Nations Nightmare was probably the first album cover featuring Warhol's work. Concidentally, it dealt with the use of recreational drugs - a theme that would often be associated with Warhol and his entourage throughout the 1960s as a result of films like The Chelsea Girls which showed Brigid Berlin shooting up speed on camera. Warhol would also became known for his use of transvestites in his films. In approximately 1952, the same year that he won the award for The Nation's Nightmare, Warhol also did some of his earliest drawings of a man in drag when he sketched the photographer, Otto Fenn, dressed as a woman. Warhol's drawings were similar to photographs that Fenn had taken of himself dressed as a woman.

Other than these, Andy Warhol also did fine cover artwork for albums by Artie Shaw, Count Basie, Kenny Burrell (3 covers), Johnny Griffin, Joe Newman, Bennie Green, Diana Ross, John Cale (2 covers), John Wallowitch, Rolling Stones (2 covers), Velvet Underground (2 covers), Moondog, Liza Minelli, John Lennon, Thelonious Monk, Paul Anka, Billy Squier, Tennesse Williams and many, many others.

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER ITEMS BY VELVET UNDERGROUND ► CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY NICO ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY JOHN CALE ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY LOU REED ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stock (commercially released) mono copies of this album are NOT believed to exist (irrespective of what some record guides may claim)

(d)            The record comes in the original stock inner sleeve.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL “SKULL AND BONES” COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Small coffee (?) stain noted on the back panel (less than 1 square inch in size)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 4 (back side)

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has a few tiny wrinkles along the top seam   (nothing significant)

-         Visible shelf wear noted on the bottom seam.

-         Cover has one corner slightly worn / dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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