Violent Femmes, Self Titled, Complete Vinyl Album, lp -1- 23845 -Vintage Release
  $   35

 


$ 35 Sold For
Jan 20, 2019 Sold Date
Jan 13, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Working diligently with my librarian hat on. I am really proud of how well we took care of our things and collectables…just kinda forgot. We have hundreds of quality pieces…some seldom seen especially in the U.S. Some are rare or at least hard to find. I welcome International Buyers…I know you have to pay high taxes for both countries …and it takes forever, but collecting is like that, I know.

If the record/tape/whatnot is a mess - you will know about it and see it, if it was a cut out, I will show and tell.  Nonsmoking home, original owners (okay a few finds in thrifting Years ago)...Happy to pass on to someone who wants it.

WE HAVE A WORKING REGA TURNTABLE, A GOOD NEEDLE AND A DOUBLE TAPE DECK -WE SPOT CHECK MOST EVERYTHING.

(This one you are bidding on 2018)


Violent Femmes ?– Violent Femmes

Label:

Slash ?– 1-23845, Slash ?– 9 23845-1

Format:

Vinyl, LP, Album, Repress, Allied Pressing

Country:

US

Released:

1984

Genre:

Rock

Style:

Alternative Rock, Indie Rock

Tracklist

A1          Blister In The Sun            2:23

A2          Kiss Off               2:53

A3          Please Do Not Go            4:15

A4          Add It Up            4:44

A5          Confessions       5:27

B1          Prove My Love 2:37

B2          Promise              2:48

B3          To The Kill          3:59

B4          Gone Daddy Gone          3:03

B5          Good Feeling     3:49

Companies, etc.

 

    Phonographic Copyright (p) – Slash Records

    Copyright (c) – Slash Records

    Published By – Gorno Music

    Recorded At – Castle Recording Company

    Mastered At – Sheffield Lab Matrix – ? 6040

    Pressed By – Allied Record Company

    Distributed By – Warner Bros. Records Inc.

 

Credits

 

    Bass, Xylophone, Vocals – Brian Ritchie

    Design [Back Cover] – Geoff "Stinky" Worman*, Laurie Lindblom

    Drums, Vocals – Victor De Lorenzo*

    Engineer – Glen L. Lorbiecki*, John Tanner

    Guitar, Violin, Vocals, Design [Lyric Lay-out] – Gordon Gano

    Photography By – Ron Hugo

    Piano – Mark Van Hecke (tracks: B5)

    Producer – Mark Van Hecke

    Sleeve [Package Design] – Jeff Price (2)

 

Notes

Recorded at Castle Recording Company, Lake Geneva, Wisconsin, July 1982.

 

© & ? 1982 Slash Records

Lyrics © 1983 Gorno Music Publishing ASCAP

 

With inner sleeve.

 

(has stock Slash labels, unlike the first pressing which had the uniquely designed "two-tone" labels.

Barcode and Other Identifiers

 

    Matrix / Runout (Side A, etched): 1-23845-A-SH2 [a] B-18958-ASH2 SLM ? 6040 1-1

    Matrix / Runout (Side B, etched): 1-23845-B-SH2 [a] B-18959-SH2 SLM ? 61?2?0-X 6040X 1-1

    Barcode (Text): 0 7599-23845-1

    Barcode (Scan): 075992384513

    Rights Society: ASCAP

 All Music Review by Steve Huey  from All Music Guide
One of the most distinctive records of the early alternative movement and an enduring cult classic, Violent Femmes weds the geeky, child-man persona of Jonathan Richman and the tense, jittery, hyperactive feel of new wave in an unlikely context: raw, amateurish acoustic folk-rock. The music also owes something to the Modern Lovers' minimalism, but powered by Brian Ritchie's busy acoustic bass riffing and the urgency and wild abandon of punk rock, the Femmes forged a sound all their own. Still, the main reason Violent Femmes became the preferred soundtrack for the lives of many an angst-ridden teenager is lead singer and songwriter Gordon Gano. Naive and childish one minute, bitterly frustrated and rebellious the next, Gano's vocals perfectly captured the contradictions of adolescence and the difficulties of making the transition to adulthood. Clever lyrical flourishes didn't hurt either; while "Blister In the Sun" has deservedly become a standard, "Kiss Off"'s chant-along "count-up" section, "Add It Up"'s escalating "Why can't I get just one..." couplets, and "Gimme the Car"'s profanity-obscuring guitar bends ensured that Gano's intensely vulnerable confessions of despair and maladjustment came off as catchy and humorous as well. Even if the songwriting slips a bit on occasion, Gano's personality keeps the music engaging and compelling without overindulging in his seemingly willful naiveté. For the remainder of their career, the group would only approach this level in isolated moments.

 




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