YUSEF LATEEF SOUNDS OF YUSEF ULTRA-RARE ORIG '57 PRESTIGE MONO LP NY DG RVG MINT

$

114

    
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·       YUSEF LATEEF  – THE SOUND OF YUSEF LATEEF – ORIGINAL 1957 PRESTIGE  MONO LP 7122 (THIS IS NOT A SECOND PRESSING (1960) ON PRESTIGE/NEW JAZZ LABEL WITH A COMPLETELY DIFFERENT COVER)

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW AND BLACK 'PRESTIGE' RECORDS LABEL WITH ‘FIREWORKS’ MOTIF AND  50TH STREET, NYC ADDRESS ON THE LABEL

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Without delving into the complexity of some of Yusef Lateef's '60s era work, The Sounds of Yusef manages to chart some new territory amid his sea of late-'50s recordings. Many of the songs tilt their head toward the East, both rhythmically and in their instrumentation, but the album as a whole still has its feet firmly planted in the jazz tradition. Nowhere is that more obvious than the album's opener, a flute-led version of "Take the 'A' Train" where Lateef manages to polish the already bright and cheery melodic line of the standard to a new sheen with his exuberant playing. "Playful Flute" shows a heavy African influence, experimenting with more complex rhythmic structures; close listening reveals that it occasionally wanders off track, but Lateef's high flute line draws attention away from any imperfections. In the latter half of the song he employs a technique where he vocalizes and plays the flute at the same time. The result is a deeper, more textured, breathy sound that seems appropriate for his explorations here. Things really get interesting on the album's second side (beginning with track three) where the Asian-influenced composition opens with a shimmering Chinese gong then takes an occasionally fascinating, occasionally grating turn when a number of non-traditional instruments alternate with Lateef's flute line, including 7-Up bottles and the squeaky surface of balloons. The sound is amazingly avant-garde for 1957, making the experiment worth it, even if it is less accessible than the forward-looking jazz numbers that follow: "Buckingham," which allows Lateef to show off on tenor sax, and the contemplative, mellow "Meditation," which shows Lateef's quiet side at its graceful best.

 (EXCERPT FROM AN ONLINE REVIEW BY STACIA PROEFROCK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(c)             The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(d)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(e)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole punched IN THE LABEL AREA. This affects the record, which also has a small cutout hole in the label area.

-         Cover has all four corners slightly worn (nothing significant)

-         Cover has a partially split spine (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has some fraying/wear along the spine

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.   (nothing significant)

-         Minor drop-like stain noted on back panel (less than ¼ square inch in size)

-         Back cover has a small peel-off mark (less than 1/16th square inch in size)

-         Cover has a tiny "wrinkle" (crease)  in one of the corners.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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