don cherry organic music ultra-rare 2 lp set
  $   74

 


$ 74 Sold For
Jun 29, 2009 Sold Date
Jun 22, 2009 Start Date
$   15 Start price
8   Number Of Bids
  USA Country Of Seller
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Description

a.k.a. "organic music society". caprice cap 2001(1-2). 2 lp set in gatefolld sleeve in astounding like-new condition, except for former owner's name . insert texts in english, german and swedish. -----------------------------==================================================================== Cherry was born in Oklahoma City, Oklahoma and raised in Los Angeles, California. After learning various brass instruments in high school, by the early 1950s he was playing with jazz musicians in Los Angeles, sometimes acting as pianist in Art Farmer's group.[1] He also toured with saxophonist James Clay.[2] Cherry became well known in jazz in 1958 when he performed and recorded with Ornette Coleman, first in a quintet with pianist Paul Bley and later in what became the predominantly piano-less quartet which recorded for Atlantic Records. During this period, "his lines ... gathered much of their freedom of motion from the free harmonic structures." [3] Cherry also co-led the Avant-Garde session which saw John Coltrane replacing Coleman in the Quartet. He also recorded and toured with Sonny Rollins, co-led the New York Contemporary Five in Manhattan with Archie Shepp, recorded and toured with Albert Ayler and with bandleader and composer George Russell. His first recording as a leader was Complete Communion for Blue Note Records in 1965. The band included Coleman's drummer Ed Blackwell as well as saxophonist Gato Barbieri, whom he had met while touring Europe with Ayler. After leaving Coleman, Don Cherry eschewed the trend towards funk/fusion and continued to play a sparse jazz often in small groups and duets (many with ex-Coleman drummer Ed Blackwell) during a long sojourn in Scandinavia and other locations. He would later appear on Coleman's 1971 LP Science Fiction, and from 1976 to 1987 would reunite with Coleman alumni Dewey Redman, Charlie Haden, and Blackwell in the band Old And New Dreams [4], where his "subtlety of rhythmic expansion and contraction" was noted. [5] That band recording a total of four albums, two for ECM and two for Black Saint. During the 1980s, he recorded again with the original Ornette Coleman Quartet on In All Languages, as well as recording El Corazon, a duet album with Ed Blackwell. In the 1970s he ventured into the developing genre of world fusion music, Cherry incorporated influences of Middle Eastern, traditional African, and Indian music into his playing. Don studied Indian music with Vasant Rai in the early seventies. From 1978 to 1982, he recorded three albums for ECM with "world jazz" group Codona, consisting of Cherry, percussionist Nana Vasconcelos and sitar and tabla player Collin Walcott.[6] Other playing opportunities in his career came with Carla Bley's Escalator Over The Hill project or recordings with Lou Reed, Ian Dury, Rip Rig & Panic and Sun Ra. Don Cherry was only 58 when he died in Málaga, Spain in 1995 due to liver failure caused by hepatitis. [7] His stepdaughters Neneh Cherry and Titiyo and his sons David Cherry and Eagle-Eye Cherry are also musicians. [edit] Instrument Don Cherry was closely associated with the Pocket trumpet, a smaller version of the regular trumpet. [8] Closer to a cornet, the pocket trumpet helped Cherry produce his distinct sound as well as allowing him to "smear" notes due to its idiosyncratic slotting. He often spoke about changing horns and mouthpiece sizes to constantly keep him in unfamiliar territory when playing and aiding in the avoidance of cliches. After returning from a musical/cultural journey through Africa, Don Cherry often played a stringed instrument with a gourd body called a dousen'goune. Don also collected a variety of other African instruments on his journey, which he mastered and often played in performances & recording. He also performed as a percussionist and pianist, often playing the pocket trumpet with one hand while playing the piano with the left. In this respect he has been likened to the great trumpeter Jeany Leaser, who was similarly a multi-instrumentalist.


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