Music Composed Elmer Bernstein From The Terrace Liberation Of L.B. Jones 1975

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Elmer Bernstein ?– Music Composed By Elmer Bernstein "From The Terrace" And "The Liberation Of L.B. Jones" Label: Cinema Records ?– LP-8009 Format: Vinyl, LP, Album  Country: Europe Released:   Genre: Stage & Screen Style: Soundtrack Tracklist A From The Terrace B The Liberation Of L.B. Jones

Side A consists of untitled songs from "From The Terrace", side B consists of untitled songs from "The Liberation Of L.B. Jones"

From the Terrace is a 1960 American DeLuxe Color drama film in CinemaScope directed by Mark Robson, and starring Paul Newman, Joanne Woodward, Myrna Loy, Ina Balin, George Grizzard, and Leon Ames, with a young Barbara Eden appearing in one scene.
The screenplay was written by Ernest Lehman based on the 1958 novel by John O'Hara that tells the story of the estranged son of a Pennsylvania factory owner who marries into a prestigious family and moves to New York to seek his fortune.
This was the third movie that real-life spouses Paul Newman and Joanne Woodward made together.
This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (July 2009) (Learn how and when to remove this template message) In 1946, David Alfred Eaton (Paul Newman) returns home from the war to Philadelphia. He finds his mother Martha (Myrna Loy) driven to alcoholism by years of neglect and abuse from her husband Samuel Eaton (Leon Ames), owner of a prestigious iron and steel company. Having withdrawn from his family after the death of his firstborn son thirteen years earlier, Samuel's resentment drove Alfred to turn his back on the family business and strike out on his own with Lex Porter (George Grizzard), his closest friend.
While attending a party at the estate of Lex's wealthy uncle, Alfred is dazzled by Mary St. John (Joanne Woodward), the daughter of a wealthy family. Mary is drawn into a relationship with Alfred and breaks her secret engagement to Dr. Jim Roper (Patrick O'Neal), defying her parents. After a humiliating argument, Alfred's father falls ill, and Alfred shuns the family business once again to start an aviation company with Lex.
On his wedding day, Alfred receives word that his father has died. Certain that Samuel has timed his death to spite him, Alfred goes ahead with the ceremony. With his uncle's money, Lex and Alfred then fund the Nassau Aircraft Corporation, but when Lex shows more interest in perfecting aircraft designs than in selling planes, Alfred becomes impatient.
One wintry day, Alfred and Mary are driving home from a party when they see a little boy fall through the thin ice of a frozen pond. Alfred plunges into the icy waters to save him. The boy's grandfather, James Duncan MacHardie (Felix Aylmer), the most famous financier in America, invites Alfred and Mary to dinner. MacHardie, a shrewd businessman, sensing Alfred's drive and ambition, offers him a job in his investment firm.
Obsessed by the need to outdo his father, Alfred travels the country for MacHardie, leaving Mary alone for months at a time. Lonely and self-pitying, Mary begins to resent Alfred's constant absences. Creighton Duffy (Howard Caine), MacHardie's son-in-law, whose position is threatened by Alfred's acumen, suggests that Alfred spend two months in rural Pennsylvania checking out the business aptitude and prospects of Ralph Benziger (Ted de Corsia), a prosperous coal mine owner.
After an ugly argument with his wife, Alfred goes to Pennsylvania. Invited to dinner at Benziger's home, he meets Natalie (Ina Balin), the man's beautiful and compassionate daughter. Lonely and overwhelmed by her sensitivity, Alfred impetuously invites her on a date, but she refuses because he is married. Later that night, however, Natalie reconsiders and meets him at a drive-in movie the following evening.
Alfred confides to Natalie that her warmth and generosity has made him realize what a sham his marriage is. They share a kiss, but Natalie still believes they must end this relationship before it goes any further for both their sakes.
Upon returning to New York, Alfred immediately is summoned to MacHardie's office. He is informed that Mary has been having an affair with Dr. Roper. But the archly conservative MacHardie proceeds to warn Alfred that he will not tolerate divorce within his firm, considering it a failure in the employee's character. MacHardie also assigns him to analyze the Nassau Aircraft Corp., his former firm, as a possible investment.
One night, while leaving a party with his wife, Alfred unexpectedly encounters Natalie in front of the hotel. Sensing that Alfred and Natalie were intimate, Mary vindictively calls Roper and makes a date with him. Alfred goes to meet Natalie and tells her that, although he is estranged from Mary, his career prevents him from requesting a divorce.
Alfred begins to investigate Nassau Aircraft's business practices. Duffy, who has become unethically involved with Nassau and will reap a financial windfall if MacHardie invests in the company, threatens to blackmail Alfred unless he suppresses his report.
Alfred and Natalie find themselves unable to resist their attraction to each other, and they meet for a tryst in a hotel room. Photographers hired by Duffy burst in and capture their indiscretion. Natalie, uncertain if Alfred's main concern is to save her reputation or his career, decides to leave. Mary, meanwhile, suggests to her husband that they share an open marriage, seeing whomever they please. After she seductively retires to her bedroom, the scandalous photos are delivered to Alfred at his home.
At work the next day, MacHardie ushers in Mary to celebrate Alfred's surprise promotion to partner. Duffy smirks, only to see Alfred rise and denounce MacHardie's hypocrisy of placing success and social position above personal responsibility and happiness. Alfred then issues the uncensored report exposing Duffy's duplicity and walks out. Mary runs after him, but it is too late. He leaves her for good and returns to Natalie's home and a new life.
Cast Paul Newman as David Alfred Eaton Joanne Woodward as Mary St. John Ina Balin as Natalie Benziger Myrna Loy as Martha Eaton Leon Ames as Samuel Eaton Elizabeth Allen as Sage Remmington Barbara Eden as Clemmie Shreve George Grizzard as Lex Porter Patrick O'Neal as Dr. Jim Roper Felix Aylmer as James MacHardie Raymond Greenleaf as Fritz Thornton Malcolm Atterbury as George Fry Raymond Bailey as Mr. Eugene St. John Ted de Corsia as Ralph Benziger Howard Caine as Creighton Duffy
The Liberation of L.B. Jones is a 1970 American drama film directed by William Wyler, his final project in a career that spanned 45 years.
The screenplay by Jesse Hill Ford and Stirling Silliphant is based on Ford's 1965 novel The Liberation of Lord Byron Jones. The novel, in turn, was based on events that happened in a Southern town where writer Ford lived. After he wrote the book, he was verbally attacked for writing about the events that had occurred in his town. The motion picture's release added to the controversy, especially in Humboldt, Tennessee, where Ford lived.
The film stars Roscoe Lee Browne, Lee J. Cobb, Lola Falana, Anthony Zerbe, Lee Majors, Arch Johnson, Yaphet Kotto, Eve McVeagh, Chill Wills and Barbara Hershey in a much earlier role.
L.B. Jones, a wealthy African American funeral director in fictional Somerset, Tennessee, seeks legal representation from the local law firm run by Oman Hedgepath, and his newlywed nephew, Steve Mundine. Jones is seeking a divorce from his considerably younger wife Emma, alleging she had an affair with white police officer Willie Joe Worth, whom he suspects is the biological father of her unborn child.
In an effort to avoid a public scandal, Worth begs Emma not to contest the divorce, but she hopes to collect enough alimony to allow her to maintain the lavish lifestyle to which she has become accustomed. When she refuses to cooperate, Worth severely beats her, then, with the aid of fellow officer Stanley Bumpas, arrests Jones on false charges after he refuses to withdraw the divorce suit.
Jones escapes and eventually cornered, he confronts the officers and is handcuffed. He quietly and respectfully refuses to cooperate even at gunpoint, and Worth murders him, with Bumpas casually watching. Worth, initially cool, is suddenly horrified by what he has done and then even more so at Bumpas's subsequent, but cold bloodily practical actions in treating Jones's body like it was a side of beef and hanging it from a wrecker hook.
Bumpas slashes the body and removes Jones's shoelaces to make it look like it was done by other black persons in a revenge-type killing. Initially another black man and Emma are forced to confess to the murder, but Hedgepath quickly discovers that the man was in jail at the time of the murder and also the confessions were obtained with a cattle prod which appears to be commonplace at the jail.
The charges are immediately dropped and Worth, who has been shocked by his own actions, turns himself in and confesses to Hedgepath and the Mayor, in part suggesting that Hedgepath may have accidentally, but with no intent, influenced him to take action.
Worth is willing to take all responsibility. However, he and Bumpas are not held accountable by City Attorney Hedgepath, who in typical Southern fashion, sweeps the problem under the rug, and makes himself a true accessory after the fact by disposing of the murder weapon and the murder is covered up quietly. The Mayor wants nothing to do with any of this and is happy that Hedgepath handles it so as not to disrupt the reputation of the community.
Hedgepath props up Worth enough with thoughts of his family so that Worth accepts the burden of guilt without the need to confess and although he gives Worth a choice it is clear that Hedgepath has significant influence over Worth. The two officers are not held accountable for their actions. However, almost immediately, Bumpas, off duty, is murdered very deliberately and coolly by Sonny Boy Mosby in partial retaliation for a vicious beating he once inflicted on the man.
Sonny had recently decided not to retaliate against Bumpas for the beating, but the murder and cutting up of Jones was apparently the final straw for Mosby. The murder is gruesome, but Sonny makes it appear to be an agricultural accident, rather than a revenge killing.
Worth keeps his job, Emma is under the presumption she will be getting Jones's money, although there is a suggestion that she might have a little guilt and will be ostracized by the black community. Hedgepath is apparently abandoned by the remnants of his family with the Mundines moving out. Mosby, unsuspected, leaves town on a bus, apparently with a clear conscience but a look of maturity.