PINK FLOYD. "THE PIPER AT THE GATES OF DAWN" EMI FAME, UK LP. EX COND.
  £   17
  $   23

 


£ 17 Sold For
Feb 21, 2015 Sold Date
Feb 15, 2015 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
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Description

Pink Floyd ?– The Piper At The Gates Of Dawn

Label: Fame ?– FA 3065 Format: Vinyl, LP, Album, Reissue 
Country: UK Released: 1983 Genre: Rock Style: Psychedelic Rock

Tracklist

A1 Astronomy Domine A2 Lucifer Sam A3 Matilda Mother A4 Flaming A5 Pow R. Toc H. A6 Take Up Thy Stethoscope And Walk B1 Interstellar Overdrive B2 The Gnome B3 Chapter 24 B4 The Scarecrow B5 Bike

Companies etc

  • Distributed By – Music For Pleasure Limited

Credits

  • Engineer [Recording] – Peter Bown
  • Photography By [Front Cover] – Vic Singh
  • Photography By [Rear Photo] – Syd Barrett

Notes

Later reissue on Fame. No Barcode. Original sound recordings made by EMI Records Ltd. Manufactured in the UK by EMI Records Ltd.

Barcode and Other Identifiers

  • Matrix / Runout (Label Side 1): YAX 3419
  • Matrix / Runout (Label Side 2): YAX 3420




Review by Steve Huey  [-]

The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences -- "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock. But even thoughBarrett's lyrics and melodies are mostly playful and humorous, the band's music doesn't always bear out those sentiments -- in addition to Rick Wright's eerie organ work, dissonance, chromaticism, weird noises, and vocal sound effects are all employed at various instances, giving the impression of chaos and confusion lurking beneath the bright surface. The Piper at the Gates of Dawn successfully captures both sides of psychedelic experimentation -- the pleasures of expanding one's mind and perception, and an underlying threat of mental disorder and even lunacy; this duality makes Piper all the more compelling in light of Barrett's subsequent breakdown, and ranks it as one of the best psychedelic albums of all time.



Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

 

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

 

 

 

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