CLASSIC STANLEY HOLLOWAY 12" 78 THE LION AND ALBERT EX+

	£		51
	$		68

THIS IS A REALLY EXCELLENT COPY OF THE CLASSIC STANLEY HOLLOWAY MONOLOGUE ON AN ORIGINAL UK COLUMBIA 78

THE LION AND ALBERT

There's a famous seaside place called Blackpool,
That's noted for fresh-air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.

A grand little lad was their Albert
All dressed in his best; quite a swell
'E'd a stick with an 'orse's 'ead 'andle
The finest that Woolworth's could sell.

They didn't think much to the ocean
The waves, they was fiddlin' and small
There was no wrecks... nobody drownded
'Fact, nothing to laugh at, at all.

So, seeking for further amusement
They paid and went into the zoo
Where they'd lions and tigers and cam-els
And old ale and sandwiches too.

There were one great big lion called Wallace
His nose were all covered with scars
He lay in a som-no-lent posture
With the side of his face to the bars.

Now Albert had heard about lions
How they were ferocious and wild
And to see Wallace lying so peaceful
Well... it didn't seem right to the child.

So straight 'way the brave little feller
Not showing a morsel of fear
Took 'is stick with the'orse's 'ead 'andle
And pushed it in Wallace's ear!

You could see that the lion didn't like it
For giving a kind of a roll
He pulled Albert inside the cage with 'im
And swallowed the little lad... whole!

Then Pa, who had seen the occurrence
And didn't know what to do next
Said, "Mother! Yon lions 'et Albert"
And Mother said "Eeh, I am vexed!"

So Mr and Mrs Ramsbottom
Quite rightly, when all's said and done
Complained to the Animal Keeper
That the lion had eaten their son.

The keeper was quite nice about it
He said, "What a nasty mishap
Are you sure that it's your lad he's eaten?"
Pa said, "Am I sure? There's his cap!"

So the manager had to be sent for
He came and he said, "What's to do?"
Pa said, "Yon lion's 'eaten our Albert
And 'im in his Sunday clothes, too."

Then Mother said, "Right's right, young feller
I think it's a shame and a sin
For a lion to go and eat Albert
And after we've paid to come in!"

The manager wanted no trouble
He took out his purse right away
And said, "How much to settle the matter?"
And Pa said "What do you usually pay?"

But Mother had turned a bit awkward
When she thought where her Albert had gone
She said, "No! someone's got to be summonsed"
So that were decided upon.

Round they went to the Police Station
In front of a Magistrate chap
They told 'im what happened to Albert
And proved it by showing his cap.

The Magistrate gave his o-pinion
That no-one was really to blame
He said that he hoped the Ramsbottoms
Would have further sons to their name.

At that Mother got proper blazing
"And thank you, sir, kindly," said she
"What waste all our lives raising children
To feed ruddy lions? Not me!"

One of the best-loved British entertainers of the 20th century, Stanley Holloway first trained for opera, then, post-World War I infantry service, became a seaside concert artist and music hall performer, making his London stage debut in 1919, enduringly famous for his classic monologue, "THE LION AND ALBERT".

He made one silent film, The Rotters (d. A.V. Bramble, 1921), but entered films in earnest in the 1930s, revealing a huge demotic appeal that was noticeable in an essentially middle-class cinema.

His first talkie was a film version of his concert-party revue, The Co-Optimists (d. Edwin Greenwood, 1929), and some of his other 1930s movies enabled him to film his famous monologues (e.g., the animated films Sam and His Musket and Drummed Out, both d. Anson Dyer, 1935), but his real fame as a character star came in the 1940s.

He brings a bluff lower-middle to middle-class solidity and authenticity to such roles as the former Parliament House stoker in The Way Ahead (d. Carol Reed, 1944), the next-door neighbour in This Happy Breed (d. David Lean, 1944), the police sergeant in Wanted for Murder (d. Lawrence Huntington, 1946), the bottom-smacking porter in Brief Encounter (d. David Lean, 1945), the shopkeeper-councillor in Passport to Pimlico (d. Henry Cornelius, 1949), Alec Guinness's souvenir-making colleague ("Anne 'athaway cottages for string") in The Lavender Hill Mob (d. Charles Crichton, 1951), the embattled householder in The Happy Family (d. Muriel Box, 1952), the turning-worm husband in Meet Me Tonight (d. Anthony Pélissier, 1952, "Fumed Oak" episode), the true Labour man who tells MP Peter Finch "You learnt the words but not the music" in No Love for Johnnie (d. Ralph Thomas, 1961) - and so on.

As well, there are cherishable breaks with realism in, say, his Vincent Crummles in Nicholas Nickleby (d. Cavalcanti, 1947) and the Gravedigger in Hamlet (d. Laurence Olivier, 1948).

And, for many people, the crowning achievement of a great career was his originating of Doolittle in My Fair Lady (US, d. George Cukor, 1964), his famous song from which, "Wiv a little bit of luck", provided the title for his 1969 autobiography. By then, he'd become an institution on stage, screen and TV.

RECORD DETAILS:

UK COLUMBIA DX 353  12"  78rpm  SHELLAC

CONDITION - EX+

A SIDE: THE LION AND ALBERT

B SIDE: THREE HA'PENCE A FOOT

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